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Art --- Erzbischöfliches Diözesanmuseum [Cologne] --- Christian art and symbolism --- Catalogs --- Erzbischöfliches Diözesanmuseum Köln --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Catholic Church. --- Erzbischöfliches Diözesan-Museum Köln --- Diözesanmuseum Köln --- Kolumba (Museum) --- Catalogs. --- Symbolism in art --- Christian art and symbolism - Germany - Cologne - Catalogs

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Art --- Christian church history --- anno 1600-1699 --- England --- Christian art and symbolism --- Counter-Reformation --- Anti-Reformation --- Church history --- Church renewal --- Reformation --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Modern period, 1500 --- -Counter-Reformation --- Symbolism in art

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The "Things of Greater Importance" provides a close look into the social and cultural context of medieval art, primarily as expressed in Bernard of Clairvaux's Apologia, the central document in the greatest artistic controversy to occur in the West prior to the Reformation and the most important source we have for understanding medieval attitudes toward art. Bernard wrote the Apologia during the medieval efflorescence of monumental sculpture and stained glass, of advanced architecture, of pilgrimage art, of high Romanesque, and of the origins of Gothic art. Rudolph places the Apologia, traditionally seen as a condemnation either of all religious art or of all monastic art, in a broader context, using it to explore the role of art in medieval society. He shows that Bernard was interested in the impact of art on contemporary monasticism in a more complex way than previously believed. The book offers the most thorough study available of the theoretical basis of medieval art as it functioned in society; and its implications for the art of both the Romanesque and Gothic periods, which were spanned by Bernard's life, are significant.

Art --- Bernard of Clairvaux --- Christian art and symbolism --- -Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Bernard of Clairvaux, Saint --- -Bernard of Clairvaux, Saint --- Bernard, --- ART / History / Medieval. --- Christian art and symbolism - Medieval, 500-1500.

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091.31:7.04 --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- Aesthetics of art --- religious art --- Christian art and symbolism --- 246.5 --- 246.5 Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament

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After the Reformation the successful painter Paul Lautensack (1477/78-1558) dedicated himself to spreading revelations on the nature of God. Lautensack was besides Dürer the only German artist who wrote against the iconoclasts, and he believed that he as a painter could explain the images of Revelation better than theologians like Luther. He presented his insights in hundreds of highly sophisticated diagrams that display a wide range of material accessible to an urban craftsman, from the vernacular Bible to calendar illustrations. This study is the first monograph on this extraordinary man, it presents a corpus of his surviving works, analyzes his peculiar theology of the image and locates the elements of his diagrams in the visual world of the Reformation period.

Christian art and symbolism --- Image (Theology) --- Communication --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Religious aspects --- Christianity --- Lautensack, Paul, --- Criticism and interpretation. --- 091 LAUTENSACK, PAUL --- 741 LAUTENSACK, PAUL --- Handschriftenkunde. Handschriftencatalogi--LAUTENSACK, PAUL --- Tekenkunst--LAUTENSACK, PAUL --- Drawing --- diagrams --- Reformation --- Lautensack, Paul